Counter-mannerism

The decisive factor in the origins of Colonial painting in Peru came a few years later from late Italian Mannerism and Counter-Mannerism.

Nevertheless the artists did not create in "Counter-Mannerism" a wholly new stvle in the way that Caravaggio and Annibale Carracci were to do in the last decade of the century; it seems that, once trained in Mannerism, they could never entirely lose that touch of elegance and that beguiling preciosity which are still very evident in Barocci 's Deposition.

Domenico Cresti (or Crespi), known as “il Passignano” (from the name of the district of Tavarnelle Val di Pesa, near Florence, where he was born, 1559–1638), was a painter of the late-Renaissance or Counter-Mannerism style; he was educated by the Vallombrosan monks.