Rastus

But neither did it turn them into Rastuses and Sambos; nor deprive their behaviour of logical and recognisable roots in the conditions of a regional culture whose impact had been distilled into Negro spirituals or the blues.

From the end of slavery to the period of the Civil Rights movement in the 1960s, ads in the U.S. continued to show blacks as Aunt Jemimas, Uncle Bens and Rastuses—individuals subservient to whites.