Autoparody

This was exactly why, for him, the autoparody became her inescapable prison. Above all, this EuroBrazilian artist had, and continued to have, a defining impact within Brazil's mainstream sense of selfhood, so much so that by the late[…]

1–6 Another type of historical reference involves a type of reverse autoparody. Consciously or not, Bruckner reuses an imitative sequence from the Kyrie of Palestrina's Mass in his wellknown setting (ca. 1886) of the Gradual Christus[…]

As Osolsobě observes, parody was both a sign of reputation and a tool with which to achieve it, with eighteenth- century French authors of operas often creating parodies of their own works (autoparodies): parodies not only promote the[…]