Bodymind

In this way, it concerns the interrelationship between the experience of the bodymind and the social function of the music and dance, and the mutual dependency and inseparability of the two, in and through the action of the performance.

The actor who self-teaches through her perceptions remains attuned to her bodymind throughout her training and into performance because she remains connected with what she does and feels each day.

The issue and focus is, of course, our bodyminds and not the structures, practices, or policies of the academy.