Ensorcel

[H]e called into presence the kazees and the witnesses, and brought in the three Qurundeels, and brought in the first damsel, and her own sister who had been ensorceled, and he married the three to the three Qurundeels, who had informed him that they were kings, […]

Suroho defended his village by ensorceling enemies who tried to encroach on village land. […] Suroho was accused of ensorceling fellow villagers, and this made him so unpopular that his sons had to find wives in other villages.

The woman was obviously a witch. An evil, ungodly creature who would tolerate popery. A foul creature who had lured her husband into his besotted state with her beauty, and probably ensorceled other men as well.

A 52-year-old widower, Mr. A, was referred for a psychiatric evaluation to help in the determination of whether he was competent to stand trial and whether he had mental illness which met criteria for the insanity defense. […] [H]e also believed that she was in a conspiracy with his unnamed enemies to ensorcel him.

This gentle poem is a model of reader-response theory: the song moulders in the book until the reader, the One Right Reader, ensorcels it, ensouls it.

As they walk on, a world of glass and steel / ensorcels and surrounds them / so even as they move, they never find an exit.