Eurohorror

But both works also enact an aesthetic shared by fans of low Eurohorror — a tendency toward excess, syncopated rhythms, and surreal frame compositions.

'I made a huge list of Italian directors and all the pseudonyms they hide behind,' says 'Eric' – who now seems to be undermining his own dismissal of Eurohorror fans by revealing his own cultural currency of detailed and intimate knowledge of the filmmakers.

There is no interest in the ideological credentials of Eurohorror, or European exploitation cinema more generally.