Exilically

The argument implies that the recognised, and standing, name for the altar, throughout the Priestly Code, has become "the altar of burnt-offering," and that the use of this new name indicates how "the burnt-offering" had risen to prominence, post-Exilically.

However, not all postmodernist films are diasporically or exilically accented, while all accented films are to some extent postmodernist.