Fr.

Second, the poetess includes her own name (v. 20) and refers to herself in the first person, suggesting that the poem was composed for a real-life situation and an actual person;² and, as in frr. 31 and 94 (LP) (in conjunction with Plu. Luc. 18.9), the situation in which the poetess finds herself constitutes unambiguous evidence that she was a "lesbian" in sensu technico.³

There, a Franciscan friar named Andrés Ivars asked that Fr. Císcar hear his confession before the friar was executed be firing squad.