Impastoed

In addition to portraits and genre scenes, there is a generous selection of his landscapes, from a crisply drawn “Fishing Boats on the Beach at Les-Saintes-Maries-de-la-Mer,” from 1888, to animated, impastoed late works, like “Entrance of a Quarry” and “Wheatfield Behind St. Paul’s Hospital With a Reaper,” both from 1889.