Macrophile

Crumb's sexual fixation on gigantic women's legs became a major feature of his most celebrated images. Despite the common themes among macrophiles, Ed Lundt believes that no two macro fantasies are quite alike […]

If there are macrophiles living and working among us—and I assure you, there are—the world must also make room for the microphiles who love them back.

The poster for the 1958 film Attack of the 50 Foot Woman shows a gorgeous babe, in short skirt and ill-fitting bra, straddling a motorway flyover and picking up cars. This is a macrophile's delight.