Metafiction

Julian Barnes's Flaubert's Parrot (1984) and Peter Ackroyd's Hawksmoor and Chatterton may be described as accomplished examples of historiographic metafiction, the kind of self-conscious, heavily parodic and experimental historical […]

In the previous chapter, I presented a heuristic explanation of the development of metafiction. In this chapter, I turn to some texts written before the 1980s to demonstrate that the binary between realism and metafiction is not fixed.