Ouranian

If he [the Hindu god Varuna] cannot be classed exclusively among the "gods of the sky" he nevertheless has qualities proper to the ouranian divinities. He is visva-darsata, "everywhere visible", he "separated the two worlds", the wind is his breath; [...]

Conversely, Kenneth Anger's only widely released film since 1972, Lucifer Rising (1980), uses a megalithic temple (not Stonehenge) and a number of ancient Egyptian sites in a Crowleyan ritual hymn to chthonian and ouranian deities of power and light.

At first sight the winds would appear to be if anything Ouranian powers of the upper air, yet it seems that sacrifices to the winds were buried, not burnt.

If he [the Hindu god Varuna] cannot be classed exclusively among the "gods of the sky" he nevertheless has qualities proper to the ouranian divinities. He is visva-darsata, "everywhere visible", he "separated the two worlds", the wind is his breath; [...]

Conversely, Kenneth Anger's only widely released film since 1972, Lucifer Rising (1980), uses a megalithic temple (not Stonehenge) and a number of ancient Egyptian sites in a Crowleyan ritual hymn to chthonian and ouranian deities of power and light.