Sceneness

Kahn-Harris sees construction and structure as interacting dimensions: I identify sceneness as a fundamental form of such an interaction. By sceneness I mean the feeling of social and emotional proximity that weaves a scene, giving its members the sense of “being in it together”.

Locality, Translocalism, Sceneness. This book examines the various modes of articulation of underground music and sound practices in the Hong Kong and East Asian contexts while seeking to avoid the pitfalls of cultural essentialism.