Y2k

Y2K and the technological apocalypse that never was / It is at the turn of the millennium that the anxieties around postfeminist masculinity (registered by figures such as Maximus) fused with nostalgic anxieties around technology. […] Arguably the most significant pattern to emerge in the cinema of Y2K is that of entanglement between threatened masculinity and nostalgia.

Inside are fun, Instagrammable settings that are a nod to nostalgic trends in Black culture, including an installation of a pink bedroom featuring posters of Y2K-era artists like Destiny’s Child, Brandy and Ashanti, and a stage filled with covers of Black hair magazines.

Things like the Tamagotchi, an inflatable coach, a Pizza Hut Book It coupon, and a desktop computer with a CD-ROM and dial-up modem noises. Isabel and Nicki Hoffman, the two new dolls (twins!) are Seattleites on the cusp of Y2K.