Harry’s idol, headmaster Albus Dumbledore, stakes out the anti-Dursley position most clearly when he explains to Harry his reasons for destroying the Sorcerer’s Stone of the first novel’s title: “As much money and life as you could want! The two things most human beings would choose above all—the trouble is, humans do have a knack of choosing precisely those things that are worst for them” (Sorcerer’s Stone, 297). Readers who see Rowling’s fantasy world as more pure than our reality can turn to such Dumbledorean paradoxes, worthy of Tolkien’s Gandalf or Susan Cooper’s Merriman, for evidence.
Source: wiktionary
What complicates this Dumbledorean strategy of inoculation is that, in Harry Potter and the Goblet of Fire, Hogwarts itself is exposed as always/already infected by injustice. It might not be as rank as that of the Dementors; but it is severe enough to call into question Dumbledore’s (and Hogwarts’) claims of occupying the high moral ground.
Source: wiktionary
In the queue that had been formed by fans from around the world outside Waterstone’s, Piccadilly, yesterday, surrounded by children and young adults alike dressed in Dumbledorean beards and flowing robes, I felt quite at home.
Source: wiktionary
A number of important people take a sudden interest in her, including an icy but not terribly effective Nicole Kidman, Lyra’s purposeful uncle played by Daniel Craig, a Dumbledorean headmaster, the parents of a friend, a polar bear out of those Coca-Cola ads, a flying witch and Sam Elliott, who seems to have stumbled in from a cowboy movie.
Source: wiktionary
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