As far as the picketers are concerned, we can establish the point of view (p. o. v.) of the shots of them by reversal: this can be done by asking whether the camera p. o. v. is that of the strikers themselves. For this to be so we would have to see the scene from their p. o. v.; […]
Source: wiktionary
From my p.o.v., they seemed to be great but cautious friends.
Source: wiktionary
Act III is embedded in Act II, the “Repeat” Voice called for at the end of II, this time as mime, without narration, but with camera adopting Figure’s p.o.v. on occasion. Figure opens door, to “corridor seen from door,” ditto window, with added sound and sight of rain, ditto pallet, ditto mirror (“reflecting nothing” at first, then his reflection from his p.o.v.), each inspection interspersed with a God-like view from above.
Source: wiktionary
Nutty behavior, from my p.o.v., but still vestigially about the music: the desire to hear every variation, every version.
Source: wiktionary
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