Das

I feel like reading the book "Aculpa é das Estrelas".

"I can speak a bit of German. 'Das ist fantastisch!'" "Haha, wunderbar." "Wunderbar." "Even the locals sound better when they speak German, okay?" "Haha, is nobody gonna get my accent?" "No, not really, 'cause, you know..." "To be honest, I only learned my German from watching DVDs when I was younger." "Hahaha, be sure to send me those DVDs!"

I live at 517, das Torres Street, Madrid, Spain.

"Jedem das Seine", meaning "To each what he deserves", is a slogan placed over the entrance gate of the Buchenwald concentration camp during the Holocaust.

I have been studying Japanese aesthetics consciously since my teenage years on Lulu Island, or maybe even before, as a prepubescent somewhat unwittingly in the Philippines. In Quezon City, we kids watched Japanese samurai shows and cartoons. We made Zero fighters and Messerschmidts as cardboard airplanes to hang from the ceiling of our library, where we had collection jars of crab-like spiders with thick exoskeletons. On Lulu Island, I studied autodidactically the basics of Hiragana, Katakana, and Kanji, the components of the Japanese language, during vacation as a teenager, whilst I did also watercolour painting and sculptures from DAS air-dry clay. I then took Japanese language in university. In my twenties, I actually lived in Japan for some time. Later, for years on my Social Media, I have been observing exquisite Japanese images. And I become a fan of anime. To me, Japanese aesthetics allude to Finnish, Eskimo, and Polynesian artwork. Japanese art can contrast the ancient with the ultramodern.

Karl Marx's main work is called Das Kapital.

Besides many sex differences in physiological processes, studies in axSpA have also revealed sex differences in gene expression and body composition. In addition, women with axSpA have different pain mechanisms and hormonal influences that might contribute to higher DASs compared with men.

Prior to this, DAS and Hypertapping were the two standards for Tetris pros, but Rolling allows for a high amount of button presses per second without the "superhuman finger speeds" needed for Hypertapping, modified controllers, or any gloves - which also makes it is perfectly legal for tournament play.

Still, playing at higher levels with DAS is not as easy as it sounds.

The first known way past the brick wall of Level 29 was a technique that became known as hypertapping. By using a special grip that lets you vibrate a finger over the D-pad directions at least 10 times a second, you can effectively skip the "delayed autoshift" (DAS) that limits how fast pieces can move laterally when the D-pad is held down.