Kantian

Gurwitsch's notion of the perceptual noema as a completely idealized phenomenon is more Kantian than Husserlian.

Thus Django becomes the carrier of the “public use of one's reason”—the Kantian road to enlightenment given to him by the German “Forty-Eighter” dentist–turned-bounty hunter Dr. “King” Schultz, and represents the fictive, allohistorical beginning of the battle against slavery and racism in the United States.

It aimed to pacify intra-European relations through exchange and economic cooperation. The framework was therefore Kantian: it was based on the principle of peace through exchange.