Simian

In “Benguelê” (which refers to slaves’ nostalgic longing for Africa) he makes extensive use of crouching, stooped bodies in a simian, loping walk, arms hanging loosely and head down to suggest tribal dances, rituals, animals, a precivilization.

The simians would require no special orientation courses to teach them the reasons for fighting, such as, “To make the world safe for Demagocracy,” or whatnot.